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Ernie Colón: July 13, 1931 – August 8, 2019

Ernie Colón: July 13, 1931 - August 8, 2019

August 8, 2019 Ernie Colón died on the age of 88. He had been preventing most cancers for a yr. He was surrounded by relations at the time of his demise. Colón seemingly did all the things in his greater than 60-year profession as a cartoonist and journalist, marked by his professionalism and unimaginable versatility. She labored in nearly each style, together with fantasy (she created The Gemworld Princess with Amethyst, Dan Mishkin and Gary Cohn's writing workforce); sword and witchcraft (Arak, son of Thunder, co-authored with writer Roy Thomas); horror (Creepy, Eerie, Vampirella, Macabre's bizarre tales); science fiction (Ax and Medusa chain graphic novels) TV and movie modifications Droids, Bullwinkle and Rocky and Battlestar Galactica; erotica (tape search); superhero titles like Dr. Photo voltaic, Man of the Atom, Tiger-Man, Injury Management (co-created with Dwayne McDuffie) and The Grim Ghost. At occasions, he even ventured on syndicated newspaper lists, briefly difficult Star Hawks' Gil Kane and working with Alfredo Alcala on Star Trek. From 2005, he pulled Spycat on The Weekly World News till the publication closed down in 2007. Colón even labored digitally to create Doodle movies for Komikwerks. Later in his profession, he combined with documentary-type graphic novels resembling The 9/11 Report: A Graphic Adaptation (2006), September 11, After: The American Conflict on Terror, The Warren Commission Report: A Graphic Research of the Kennedy Murder. , and Torture Report: Graphic Adaptation and Part of The Great American Documents. 1: 1620-1830 (co-authored with writer and historian Ruth Ashby). He also drew graphic biographies of Anne Frank and Vlad Impaler.

About "Sleep Walkers" in Richie Wealthy Riches # 2 (September 1972), in an interview with Harvey Comics Classics Quantity 2, Colón stated he was writing and drawing.

Despite the breadth of Colón's career – not solely was he a prolific cartoonist, but he was additionally a sculptor, painter, editor, and writer – he is in all probability greatest recognized for his humorous comics, drawn for years by publisher Harvey. He portrayed the adventures of Richie Rich, Casper the Friendly Ghost, Spooky, Scorching Stuff, Little Devil, Wendy the Good Little Witch, Little Dot, Jackie Joker and the like. Born Ernesto Colón in Sierra de Cordobes y Lopez, Puerto Rico, he is recognized to American cartoon fans as Ernie Colón. In an interview quoted on The Day by day Cartoonist, Colón explained: “My identify is Ernest Colón Sierra. Sierra is my mom's maiden identify. In Spain, a lady does not lose her identify when a toddler is born. However it's not my final identify – it's Colón. So to avoid confusion, I dropped the Sierra. That long identify – it was a joke that has adopted me for years. Cordobes is the identify of Grandma [sic] and Lopez is my father. “Colón spent the primary ten years of his life in Puerto Rico, and then his family moved to the USA and settled in Brooklyn. He started drawing on the age of 6 and all the time needed to be a comic guide artist. He was the one boy; he had eight sisters.

Growing up in her artwork, heroes have been Milton Caniff and later Will Eisner. In an interview with French magazine Scarce # 77, Colón stated: “I have never enjoyed a superhero – except for early captain Marvel. That character had a sense of humor, and he didn't take himself as seriously as any other laughable, raging product from DC and Marvel. “At a young age, Colón copied his favorite artists and composed his own illustrations. As he noted in an interview with Scarce, “I loved drawing battlefields – especially those in the air. When I started drawing, planes were still mostly doubled from WWI. And, of course, I drew gangsters that I have seen in the movies. ”

From Chuck Dixon's" Hushed Battle of Battle "for Airboy # 46 (January 1989).

He educated on the Faculty of Faculty for Industrial Art, later generally known as the College of Artwork and Design. His main research have been in illustration and cartoon. He started his skilled cartoon profession in 1955 as an assistant to Joe Palooka in the hoaxless Ham Fisher, coloring the background for the veteran quarterback. Unfortunately, Fisher dedicated suicide inside a month of hiring Colón, who had to search for other jobs. Around 1961, he noticed an advert in The New York Occasions; Harvey Comics was in search of a renter. Colón admitted to being the "worst recorder in the business" – and when writer Leon Harvey reviewed Colón's work at some point, he advised him, "You're not a tenant." A crushed, young Colón headed for the exit when Harvey's wife, Vicky, stopped her and heard on her husband's behalf. Harvey transferred Colón to the Attachment Department. For a yr, he worked daily, drawing Harvey signs at night time. Ultimately, Colón was employed as a freelancer. He worked at Harvey for 25 years, drawing principally Casper and Richie Rich (indefinite). There he was guided by the esteemed Warren Kremer. It was in Harvey that he met editor-in-chief Sid Jacobson, with whom he continued to work with in the future.

The first e-book to publish his identify appeared on the Whamm O Big Comics (1967) twin search engine. underneath the title "The Kaleidoscope of Fear." (Although he had, in fact, been working for a comic ebook firm for a number of years, by an unstated pen for Harvey Comics.) In 1968, he additionally briefly worked at Gold Most Necessary, drawing a number of numbers from Dr. Photo voltaic.

Twenty-five years would have been a whole career for most individuals – however not for Colón, who needed to start out a more lifelike job. Harvey Comics went bankrupt in 1982 and was bought by Jeffrey Montgomery, who tried to continue the Harvey line with re-enactments and then new materials – till he also threw in the towel in 1994. Colón later labored on Harvey titles reminiscent of Ultraman and Monster in My Pocket. to Marvel and other corporations.

Written by Barbara Gelman on Creepy # 29 Summer time Middle.

After an extended delusion, Harvey, Colón modified gears. Though he needed to work in humor, he felt that he had develop into routine. He started writing horror tales on the Warren journal line, especially Vampirella. After Warren, Colón switched to a new / brief-lived writer Atlas / Seaboard in 1975, the place he created and filmed three Grim Ghost editions with Specter writer Michael Fleischer. With John Albano, he made his debut in the first problem of the superhero character Tiger-Man in the exciting black and white adventure story. He then drew the primary concern of the color comic guide, based mostly on which Steve Ditko and Alan Milgrom assumed inventive roles. He also participated in the Macabre Bizarre Tales of Macabre, an Atlas / Seaboard try to copy the success of Warren's horror magazines. In addition to his cartoon art, Colón appears to be the home artist in the commercials for Atlas / Seaboard and has portrayed virtually each character in his secure. His slick, fluid drawing and skill to regulate totally different types made him the right artist for the job. Colón needed to work for Atlas / Seaboard, the place he was paid extraordinarily high salaries and was handled with respect by Jeff Rovin, a young journalist on the line – whom he’ll work with years later, in the Cat Angels, a poetry ebook by Colón.

Amethyst, Princess Gemworld # 10 (February 1984).

Following the disappearance of the Atlas / Seaboard line, Colón moved to DC, where he enjoyed lengthy positions as both an artist and a journalist. Colón particularly loved working together with his Amethyst, Princess Gemworld, Dan Mishkin and Gary Cohn. He returned interest later in the yr, saying it was "one of the best DC series that DC has ever produced." Colón overturned miniseries comparable to Cosmic Boy, Legionnaires and Underworld, in addition to quite a few titles including the Atari Drive. , The Blue Satan, Firestorm Annual Report 2, The Outsiders, Scooby-Doo, The Thriller House, The Sudden, Unusual Warfare, And Even The Romance Cartoon, Younger Love. His tenure in DC stretched across the 1980s, and he edited Marvel Lady, The Flash, Arion, Atlantis Lord and Inexperienced Lantern. He handled all the paintings for DC's third nonfiction graphic novel, The Medusa Chain. Although he later complained that coloring the Medusa chain art made him "sick on days," he stated, "I used to be given full freedom. No interference. It was an ideal experience. An exquisite dream with out interruption. ”

The Medusa Chain.

Colón previously had two Marvel roles: Battlestar Galactica, 1979, concurrently the original ABC TV collection (he disliked working in Galactica because the studio refused to offer reference footage; he referred to as it the worst experience in cartoons); and his works appeared within the first two issues of Epic Illustrated in 1980. But in the direction of the top of the 1980s, Colón additionally began working for Marvel. For Marvel, he made one in every of his few creator-owned tasks, the Ax graphic novel. In this publishing company, Colón's major declare to fame was co-operation with Dwayne McDuffy, a writer of claims, though he also wrote 5 problems with John Carter, the chief of Mars. He made only one or two issues of most titles he worked on, comparable to Purple Sonja, Nightmask, Doom 2099 and others. Engaged on Marvel's Star line additionally related him with Sid Jacobson and marked the return of the humorous fashion he had in Harvey movies underneath titles comparable to Bullwinkle and Rocky, Mighty Mouse, Droids and The Flintstone Youngsters.

After Marvel, Colón. worked for Valiant Comics on many Magnus, Robotic Fighter points, and even one difficulty of Dr. Solar, Atom Man. The final part of Colón's profession began with documentary-sort graphic novels and I found him working together with his previous pal Sid Jacobson.

The 9/11 Report: A Graphic Adaptation. an ideal craftsman for fans and professionals alike, and nicely-favored by his friends. Former DC Comics president Paul Levitz stated he was "a wonderfully talented artist with whom I had the pleasure of working in DC during my relatively short career sitting at the reporter's desk." Colleague Walt Simonson reminded him this manner: in any room he walked into. ”